A Post-Western Account of Critical Cosmopolitan Social Theory

The blind faith in progress, as a submission to a nomosimbued with mythical elements, is declined today through concepts and slogans which participate in the umpteenth ideological

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Desiring Production: a Cross-Cultural Pathology of Desire in Salman Rushdie’s “Fury” and “The Ground Beneath her Feet”

The blind faith in progress, as a submission to a nomosimbued with mythical elements, is declined today through concepts and slogans which participate in the umpteenth ideological

Share